Hollis Frampton Movies

“A portrait of the filmmaker, Paul Sharits, in particular response to energies he generated one May afternoon in 1971.” –Hollis...

Upward shot from the ground perspective of a silo.

"A vision of a journey, during which the eye of the mind drives headlong through Salisbury Cloister (a monument to enclosure), Brooklyn Bridge (a...

Joyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way...

Short film by Hollis Frampton

"Near the end of 1973, Frampton realized that he had not finished a single film over the course of a year. He promptly conceived and executed LESS, a...

"In PUBLIC DOMAIN...(Frampton) recapitulates cinema's infancy in a series of direct quotes from such notable primitive works as RECORD OF A SNEEZE...

"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown...

"Strategy and imagery combat and aid each other in pairs. QUATERNION...a spatial figure of monumental attractions...interference...an undulating...

"The operations that dislocate a film like Summer Solstice– I hope irreparably– from being a movie about the locomotion and eating habits...

"After two years of massive didacticism in black-and-white [Hapax Legomena (1971-72)], I am surprised by Tiger Balm, lyrical, in color, a celebration...

A film of multiple superimpositions, utilizing the images of Solariumagelani (Summer Solstice, Autumnal Equinox, and Winter Solstice) (1974) overlaid...

Filmed in a slaughterhouse in South St. Paul, MN… Frampton utilizes a shooting strategy that flattens and pictorializes a palpable space of...

Otherwise known as Magellan's Toys #1. Hollis Frampton's "Noctiluca" was a film designed to be shown on the second day of the Magellan cycle, the...

“This film metaphors an entire human life: birth, sex, death – the framing device is the fingers and palm of the maker’s hand,...

"This film is composed of different and relatively commonplace subjects, but each image is a super-imposition ('double exposure') of two similar...

“The frame itself, which divides what is present to consciousness from what is absolutely elsewhere, is tempered here by the breath, tremor,...

"No, not the United etc. but the conditions, forms in which things exist. Somewhat abstracted, a solid, a liquid and a gas: salt, milk and smoke:...