Dean Kavanagh Movies

The remains of a day. Originally conceived as part of the portmanteau feature film In Passing (2011), which was completed by an international...

There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is...

A relationship between a man and a woman discloses during the course of the film.

The second film in a two-part study of daily routines.

A man cruises the streets of his old neighbourhood at nightfall.

A found-footage film that seeks to sever all narrative ties.

The latest materialist gesture in cinema's dematerialisation- uncompromising alter-ego Johnny Kline returns in the form of found and partially...

An assortment of obscure private obsessions, conspiracies and perversions flicker on the verge of incoherence against the context of vast cosmic...

The discovery of an ancient artefact. The night extends beyond the grip of reality. The inhabitants of a small community perish.

The first film in a two-part study of daily routines.

A séance of old and new light.

This found footage project takes the form of four experimental films surrounding the mystery of the titular character. Rather than overtly appearing...

Cut to the chase was a phrase used by Hollywood studio executives, meaning “don't bore us with the dialogue - get to the interesting scenes...

The last day of the week is the first day of the week.

A contract killer reluctantly accepts a last minute assignment in the run-up to Christmas. The routine job takes an unexpected turn, and he finds...

Originally conceived as a road movie, Sound from the Valley Floor is at once a film diary and a perverse comedy permeated with a dream logic.

Onlookers at the canal.

A relationship unravels during a storm. Poor Edward is considered as part of the official canon of Remodernist Film.