Joyce Wieland Movies

Joyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way...

Ken Jacobs’s most elusive and mysterious film is at once an allegory of movie-making, a demonstration of 8mm versatility, and a celebration of...

Considered one of Canada's most important women artists of the second half of the 20th century, Joyce Wieland's art embodies the essence of her...

We do not actually see Pierre Vallieres, we see only his lips, his teeth, as he talks in French. English subtitles translate what he says. He speaks...

A day at the Beach, at the Sea, at the Sky and at the Sailboats.

The movie takes a rather negative look at things despite the fact that it was shot in reversal film. It depicts the turbulent relationships of...

Patriotism, Part One depicts an army of phallic, bun-clad wieners marching on a vulnerable sleeping white male body, naked save for a sheet.

The rising moon is the main theme in this short movie of three people and an animal going about their nocturnal rituals. This movie is evidently part...

In a way a portrait of Dave Shackman with the American flag. The ending is a stop-motion animation of a set table with food moving and swirling and...

The film 1933 made between 1967 and 1968 offers a street scene shot in New York City in the late 1960s from a loft window on the second floor.

About a strike in which women are involved, but told in a very different way.

Filmed in Joyce Wieland and Michael Snow’s loft in New York, the film covers a day of friends visiting, writing and drawing from noon of one...

Handtinting, a five-minute silent study of young girls dancing, swimming, and observing one another by Joyce Wieland, […] has a quality that...

An unreleased diary film shot during the Fairleigh-Dickinson Artist Seminar simultaneous to the production of Back and Forth by Michael Snow.

A study of poor Black and white girls at a Job Corps center, brought from rural areas to be “educated” in typing. Here you see displaced...